Bertha photography. greypapercrane.net/berthaleeRead More
By Keoy Wan Hui When it comes to female rights and freedoms, it’s a familiar song: we recall the suffragettes in the late 19th century and a couple waves of feminism that have risen since then. As we ride the fourth wave’s social media activism, perhaps it’s worthwhile to reconsider the more implicit ways in…Read More
By Keoy Wan Hui A paraphernalia of postcards, vintage pocket-sized gelatine silver prints of a ditzy summer haze in Cadaqúes (1933) and yellowed, scribbly handwritten letters in French presents itself as an inviting greeting to an unlikely friendship (so they say) between two great art masters in the 20th century at the Royal Academy…Read More
On the Museum’s Ruin: Marcel Broodhaers ‘Un Jardin d’Hiver’ (A Winter Garden) at Hauser and Wirth, London.
By Aoife Fannin ‘The museum was a discredited institution from its very inception,’ stated art historian Douglas Crimp in his collection of essays, entitled On the Museum’s Ruin. This accusation of discredit appears to have found material expression in Marcel Broodhaers’ seminal installation ‘Un Jardin d’Hiver’ (A Winter Garden) (1974). The exhibition, which was…Read More
A look at how a culture can become a trend By Keoy Wan Hui Originally published online with Granary1 From Cyrillic script slogans on oversized hoodies, to the popular use of brutalist buildings as photoshoot backdrops, we are witnessing a revival of soviet aesthetics. Whether it’s a simple sense of nostalgia or a more…Read More
By Keoy Wan Hui An ambitious exhibition aspiring to unpack fashion’s inexplicable affiliations with vulgarity, from the historical to contemporary times with Adam Phillip’s masterful eloquence in revitalising the multiplicity of a singular adjective. Judith Clark reinvigorates the archaic meaning of the ‘vulgar’, as characteristic of the ordinary and common while juxtaposing its present negative…Read More